Best selling rap albums of all time 2019
This mentored online course is the brainchild of composer, educator, and cultural diplomat Charles Burchell, and provides a deep, well-rounded understanding of the subtleties of hip-hop beat production. We cover areas of producing hip-hop such as: writing beats and bass lines from scratch, creative sampling techniques, arranging and songwriting, mixing, and more, with a specific eye to hip-hop’s many subgenres.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Modern Mix Techniques course directly from our students.
Possibly even more iconic than this moment was the SNL skit that parodied this, done by Shia Labeouf, Andy Samberg, Bill Hader, Fred Armisen, Jason Sudeikis, and Kristen Wiig. I won’t ruin it for you. Just watch it for yourself.
Most feared rapper of all time
The theremin is an instrument invented by Léon Theremin (Lev Sergeyevich Termen in Russian) in 1919. It has two metal antennae, and you play it not by touching it, but by moving your hands in the air between the antennae to control both the pitch and volume of the sound produced. We’ve written about the instrument in a past article, so head here to learn a bit more if you’re interested.
Hi [band/manager name],
Anytime you want to use intervals based on perfect fifths, you’re multiplying and dividing by 3, but anytime you want to use intervals based on major thirds, you’re multiplying and dividing by 5. Starting from C, it’s possible to produce any note on the piano if you multiply or divide your frequencies by 3 enough times, but those notes won’t be in tune with the notes you’d get multiplying or dividing your frequencies by 5, because 3 and 5 don’t mutually divide evenly. This is not just an abstract mathematical issue. It’s the reason that it’s impossible to have a guitar be in tune with itself.
We all know that vinyl manufacturing these days is plagued by delays; it strikes me that if the artist or label needs to wait until a certain number of pre-orders is reached to start manufacturing, that’s just making an already lengthy process even longer.
Finally, we all occasionally get stuck somewhere along the way. It’s easy to want to throw your computer out the window in frustration when your production software isn’t working right. Having someone you can reach out to in order to answer your immediate questions and help you overcome these hurdles is a critical part of making real progress.
International music charities
The front panel allowed for more customization than any other tape echo on the market. You could control the repeat rate, intensity, and it had separate levels for echo and reverb so users could make their own unique combinations to suit their sound.
The eleventh edition of our student work sharing series, this one’s a summer blockbuster jam. Get ready to add some new tracks to your favorite playlist!
Before founding my current project Madam West, I played and sang solo with my ukulele, usually in reaction to some breakup I was still bitter over. I referred to myself as a singer-songwriter, a term which tends to conjure up an image of a lovelorn twentysomething strumming an acoustic instrument in cowboy boots (which, in my case, was totally spot-on). In the past few years, I’ve come to redefine and expand my own definition of a songwriter. I’ve been lucky enough to meet a plethora of songwriters who push the limits of that stereotype. In addition to singing or playing an instrument, some do their own composing and full band arranging, while others write electronically, producing and/or engineering from home studios. In celebration of Soundfly’s #SongwritingWeek, here is a calendar of great local NYC songwriters to check out:
In 2013, a 20-year-old Miley Cyrus was trying to shed her Hannah Montana good-girl youth image. Stuff like that can usually take an album or two, a couple promotion campaigns, and some time to sculpt, but not for Miley. Her image was resculpted in a matter of minutes with this viral good-girl-gone-bad performance at the the VMAs alongside the also-controversial Robin Thicke.
He alleged that Porter had used Arnstein’s “The Lord Is My Shepherd” as the basis for his “Begin the Beguine” (premiered in the Broadway musical Jubilee), as well as “A Modern Messiah” for his “Don’t Fence Me In” (originally written for Adios, Argentina), and “A Mother’s Prayer” for his popular song, “My Heart Belongs to Daddy” (premiered in Leave It to Me!).