Grants for anything
All of these ideas are widely applicable to many genres and can carry over to other box shapes on the guitar. Try experimenting with different combinations and creating your own lines! If you want even more of a workout, try to move some of the licks into fifth position (root on the A string).
His campaign seeks funds to create a Scratch Academy in Denver (not to be confused with the Scratch DJ Academy in New York with which Rob Swift is associated) as a result of local funding cuts for music and arts programs in schools recently. Not only is this a touching endeavor, but Jesu also uses his Kickstarter page as a place to post volunteer and freelance opportunities. He knows this campaign will attract attention from lots of people interested in the same things he is.
I was thrilled to see he had signed up for The New Songwriter’s Workshop. Though he was fairly new to lyric writing, Jeff jumped in with both feet and did a great job from the get-go. Raven is a fantastic mentor, who went as far as to sing some of his writing so he could get a vocalist’s perspective.” — Mahea (Soundfly Mentor)
Hip hop group names
And Jesus was a sailor
Remember above when we identified that Houston uses the notes 1, 3, and 5 more in the chorus than the verse? Those notes are hierarchically more important, and so they appear in the most important section of a song: the chorus. The chorus is hierarchically more important from a structural standpoint, so part of the reason this song is so effective at creating a memorable musical experience is that it joins predictable notes with their predictable placement in the song.
We all have our unique interests — mine in particular are quite diverse — so I encourage you to make a list of your own favorite multidisciplinary blogs, but to get you started, here are 10 of my favorite blogs, musical and otherwise, that continually inspire my writing process.
And Jesus was a sailor
A bit of cleaning goes a long way. A tidy studio is honestly one of the most effective tools for working at optimum capacity. Imagine feeling super inspired and ready to start working, but then entering your studio space and finding that there’s a bunch of confusingly tangled wires at your feet and you can’t find the power cable to turn on your microKORG.
This is not what happened with my dog. Instead, I actually think it made him more anxious. Now to be fair, part of this could be that I tried this solely as I was going out, and the association became “uh oh, dog music means mom is leaving!” but I think there’s more to it than that.
If you’re looking to produce better music and make more fluent use of the emotional capabilities of chord progressions and harmonic theory, head over to Unlocking the Emotional Power of Chords to preview Soundfly’s mentored online course for free, and read on below to see what recent students have said about the experience!
From this basis, I arrived at an elegant system of harmonic possibility that allowed me to compose music in an entirely new tuning system. I discovered rather than created this system, through a Bach-inspired process of “imaginative research,” infused with musical-theological connections in the spirit of Baroque metaphysics. For example, my use of the seventh partial mirrors and supports the subject matter of the Christmas/Nativity-themed text of the piece — according to Andreas Werckmeister, an organist and one of the main Baroque-era theorists of this system:
In a song that was spliced together from the independent compositions of different feuding band members, John McVie’s contribution takes prominence here at the end. Played along an E minor scale, it starts with a long A and ascends to the C, before descending via a run of notes to resolution on the E. Simple yet effective, especially with the repetition, it builds up with intensity into a driving tempo over Mick Fleetwood’s drums. But one thing that shouldn’t be overlooked is how much musical tension is created between the bass and the lead guitar as a result of what I call “reverse” pedal point.
The presence of the G# in the Harmonic Minor scale changes the names of the modes, because they now contain a different tone. For example, D Dorian has now become D Dorian (Augmented fourth): This mode differs from D Dorian by one note, the G#, which is an augmented fourth away from the Tonic, hence its name D Dorian (Augmented fourth). In the same scale, the mode constructed on E has now become E Phrygian (Major third). Since a Phrygian mode is by definition a minor mode, some people prefer to call it Mixolydian (Minor second, Minor sixth).