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If you’re looking to produce better music and make more fluent use of the emotional capabilities of chord progressions and harmonic theory, head over to Unlocking the Emotional Power of Chords to preview Soundfly’s mentored online course for free, and read on below to see what recent students have said about the experience!
Sırma is a singer, songwriter, producer, and topliner who has recorded with the likes of Akon, Illenium, and Keri Hilson. She has recorded and produced vocals for jingles for major ads, and written and produced original tracks that hit the top of the Spotify charts in her native Turkey. She studied contemporary writing & production at Berklee College of Music, where she learned to become a self-sufficient, multifaceted musician. She also studied production and mixing at London School of Sound, and has worked at various studios on production and sound engineering.
When recording acoustic guitars, most of the tone is going to come from the guitar itself, the microphone you chose, and the room you record in. You can find some great-sounding acoustic guitars for under $500 that can easily be used for recording. Pair one of these up with the right microphone and a recording space with great acoustics, and you’re good to go. [*Here are some quick tips on recording acoustic guitars if you need them!]
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As a general rule, I think comparing your work to other artists can be a pretty unhealthy practice, especially if you have a competitive mentality. But when it comes to duplicating marketing activities and online strategies, learning from them and their tests mean that you aren’t always starting from scratch.
But here’s what’s even more exciting: When you sign up for Modern Pop Vocal Production, you’ll get 1:1 coaching and feedback from one of three expert Soundfly Mentors: The course instructor herself, Sırma; South African producer, touring multi-instrumentalist, and composer, Sulene; or podcast composer, remixer, and touring multi-instrumentalist, Martin D. Fowler.
For this course, you really just need to know enough about mixing that you know you need to learn more. If you’ve ever struggled to communicate with a mix engineer in order to get the sound you’re looking for, or listened to your own tracks and been unable to pinpoint exactly what you need to do to improve your sound, this is the course for you.
Signal phase plays a huge role in the quality of any audio that you handle. Despite that fact, it can manifest only very subtly and be hard to detect. An undetected phase problem will zap the power out of a mix; whereas a mix with well-considered phase relationships is easier to handle and the resulting sound will be stronger, crisper, and will print well on any physical media.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: Music Theory for Bedroom Producers, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and of course, How to Create a Killer Musician Website.
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This is not the place for a ton of different pitches — none of that funk chromaticism. In some tracks, the 808 might only play two notes, and they’re both likely roots. Stick to a range of about an octave maximum.
As Paul Simon said farewell to performing music in September in his childhood home of Queens, NY, we revisit the ups and downs of the songwriter’s career.
That was the beginning of my journey toward understanding the complexity of audio work and, more specifically, about the role of mastering in the recording process. Having performed music live for years and having dabbled in the studio, I understood that both used mixing; but I had never heard of mastering. How is it different than mixing? Why is it needed? Why didn’t my mixing engineer just do that work for us? I went looking for the answers.
“Musica Ricercata” is a work consisting of 11 movements for solo piano, which make use of two notes in the first movement, three in the second, four in the third and so on, featuring the full chromatic scale in the last movement of the work. We will look at the first movement for its unusual and brave choice of using a single note for an entire composition (or as we’ll see, for all but the last four measures).
Another great set of tools comes courtesy of Goodhertz. Tools like their Faraday Limiter and Lossy will help you approximate some of the preamp sounds Boards of Canada use. The standout from this company, however, is the Vulf Compressor. Made in collaboration with and named after the sensational retro-funk weirdos Vulfpeck, this paid plugin aims to emulate the vinyl simulation compression of the Boss SP-303 Dr. Sample. This unit was and is crucial to the workflows of lo-fi beat makers such as Four Tet, Madlib, and the late J Dilla.